This podcast offers descriptions of the roles of both a music supervisor and composer and breaks down how low budget film-makers can make the most of their music budget.

Composer Christian Henson (Dirty Pretty Things, Severance) and music supervisor Alison Wright (Beyond the Gates, The Brothers Grimm) from Air-Edel Associates discuss their respective roles in the production process and cover a host of other topics, including: the 3 phases of composing, the relationship between director and composer, as well as music clearances and copyright.