To make good films, we need to know how people have done it before.
What are the good low (sub £2 million) and micro (sub £300,000) films? What makes a successful low-to-micro budget film, either critically or commercially? What distinguishes these films – makes them desirable to an audience – from mainstream cinema? And how do they relate to the new technologies of our day?
History provides the answers – and some excellent films to boot.